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1. INT. ROSELYN & SMITH’S LIVING ROOM. NIGHT.
Shot 1: The TV report is playing on a TV. The camera is slowly zooming out from a close up of the report to reveal a CU of SMITH’S right leg and hand holding a remote (TV still in view). Other news updates are scrolling under the main report.
REPORTER
Police say they are working with every effort to find the perpetrators but are having no luck so far. The press-dubbed “rat-burglars,” so named for their dead rat calling card left at the scenes, have so far committed three bank robberies in the Yorkshire area that were completely undetected until the morning after. (muted) The police are urging anyone who has any information related to these incidents to come forward...
SMITH laughs and mutes the TV (you can clearly see the TV now has a mute logo).
Shot 2: Low-angled close-up of SMITH as he takes off a balaclava and adjusts his hair.
SMITH
Four now, mate.
Shot 3: CU SMITH’S left leg and hand. The TV on mute is still in view. SMITH throws a bag full of money across the room and moves out of shot to sit down.
Shot 4: CU ROSELYN takes off her balaclava with her back to SMITH as she is speaking. She turns around and leans on the wall.
ROSELYN
I wish you hadn’t started that rat thing, you know. You could’ve picked a better calling card, like a rose or something.
Shot 5: ROSELYN’S POV as SMITH looks up at her.
SMITH
Nah.
Shot 6: CU of SMITH as he turns his head back towards the TV, ROSELYN is visible in the background, blurred.
SMITH (CONT’D)
I like rats.
Focus pulls back to ROSELYN as she rolls her eyes.
Shot 7: CU of ROSELYN.
ROSELYN
You want a cup of tea then?
Shot 8: Shot 6 again, focus is back on SMITH and ROSELYN is blurred again.
SMITH
Yeah, cheers.
ROSELYN, still blurred, exits the room. SMITH looks down at the remote and unmutes the TV.
Shot 9: OTS SMITH as he flicks through the channels. Clips from films can be seen. (Kill Bill – Elle calling Bill from The Bride’s bedside; Chicago – ‘Six’ pulling out a red handkerchief from her husband’s mouth after poisoning him and singing “He had it coming!”; Carrie – the final scene in which Sue screams as Carrie’s hand grabs her from beneath the grave.)
2. INT. ROSELYN & SMITH’S KITCHEN. NIGHT.
Shot 10: CU profile shot of ROSELYN pouring water from the kettle into two tea cups and begins stirring the tea. In the out of focus background a mobile phone can be seen flashing intermittently and making a slight beeping noise. ROSELYN notices the light and the sound and as she turns her head the mobile phone is pulled into focus. (MUSIC: ‘Do I Look Pretty’ begins.)
Shot 11: POV shot, the phone is in the foreground of the shot as ROSELYN walks over to it. She reaches out her hand and picks up the phone.
Shot 12: CU of the phone informing us that there is one new voicemail. The background is a typically provocative picture of Angelina Jolie licking blood from her mouth (although this may not be entirely visible).
Shot 13: FS of ROSELYN looking towards the camera/open door, checking to see if SMITH is approaching.
Shot 14: CU of ROSELYN looking down at the phone in her hand and holding it up to her ear.
Shot 15: CU tracking shot moving slowly around ROSELYN as she listens to the message and fights back tears.
FEMALE VOICE
(on the mobile phone, whispering)
Hi Smith, it’s me. Look I know I shouldn’t be calling you on this number but I just had to know if it went alright. Are we still meeting at 2 at the bridge? You were meant to have called me by now. Hope you’re not having cold feet about ditching that bitch. Call me when you get this.
Shot 16: MS from behind ROSELYN slowly lifting the phone away from her ear, but then drops it.
Shot 17: CU profile, ROSELYN cusses under her breath and kneels down to pick up the phone.
Shot 18: CU ROSELYN’S hand reaches for the phone and notices a single cube of rat poison near the phone.
Shot 19: MS ROSELYN looking over to her left in a corner.
Shot 20: CU box of rat poison.
Shot 21: CU ROSELYN’S hand picking up the phone and the cube of rat poison.
Shot 22: CU ROSELYN’S hand placing the phone and the cube and the counter top beside the tea cups.
Shot 23: CU low angle - ROSELYN’S intense face.
Shot 24: ECU (possibly slow motion) of poison being dropped into one cup. (MUSIC: Lull in the song before final flourish.)
Shot 25: CU of ROSELYN as she looks toward the living room. (MUSIC: Final flourish in the song before bells.)
3. INT. ROSELYN & SMITH’S LIVING ROOM. NIGHT.
Shot 26: OTS SMITH is sat watching a clip from Mr. & Mrs. Smith on the television (the fight/sex scene in the house), when he hears ROSELYN coming he looks towards the door and hastily turns off the TV as if he is embarrassed.
Shot 27: Full shot as ROSELYN walks into the living room with the two cups of tea. She walks to the table.
Shot 28: Overhead CU of ROSELYN’S hands placing the cups of tea on the table.
Shot 29: Shot 27 again, as ROSELYN sits down and takes her own tea cup.
Shot 30: CU SMITH – smiling at ROSELYN, occupies the left of the screen.
SMITH
Thanks, love.
Shot 31: CU ROSELYN – staring at SMITH, occupies the right of the screen.
ROSELYN
Don’t mention it...
Shot 32: ECU ROSELYN’S lips.
ROSELYN (CONT’D)
(pointedly)
love.
Shot 33: CU SMITH again, slightly high angled, as SMITH looks a little confused at ROSELYN.
Shot 34: MS two-shot SMITH as he reaches forward.
Shot 35: CU ROSELYN slightly low angled, looking intensely at SMITH’S cup of tea.
Shot 35: CU overhead of the table as SMITH reaches for the cup of tea.
Shot 36: CU SMITH, high angled, looking at the tea, then looks up to see ROSELYN.
Shot 37: ECU ROSELYN, low angled, looks up from the tea, looks at SMITH, then quickly looks away.
Shot 38: ECU SMITH, high angled, narrows his eyes and then looks down again.
Shot 39: CU overhead of the table, SMITH reaches past the cup of tea and picks up a newspaper instead.
Shot 40: MS two-shot SMITH sits back with the newspaper. ROSELYN sits staring at SMITH.
ROSELYN
Don’t you want your tea?
SMITH
Wouldn’t mind a few biscuits, Ros.
Shot 41: CU ROSELYN looking flustered but relieved.
ROSELYN
(flustered)
Oh... Right, yeah, just a sec'.
Shot 42: MS two-shot as ROSELYN puts her cup back down on the table and leaves. MS SMITH looks towards the kitchen and then leans forward towards the table.
Shot 42: CU overhead of table as SMITH leans in to look at the cups.
Shot 43: CU SMITH picks up his own cup and inspects it.
Shot 44: ECU, the rim of his cup has a trace of powder on it.
Shot 45: CU, SMITH shakes his head and smiles to himself.
Shot 46: CU overhead of table as SMITH switches ROSELYN’S cup with his own.
Shot 47: MS two-shot as ROSELYN re-enters the room. She places a plate of shoddily arranged biscuits on the table, sits back down and leans forward to pick up her cup of tea.
Shot 48: CU high angled, ROSELYN bring the cup to her lips and blows slightly on the tea.
Shot 49: CU low angled, SMITH is watching ROSELYN intently.
Shot 50: CU high angled, ROSELYN looks over to SMITH.
Shot 51: MS two shot, SMITH is casually reading the paper.
Shot 52: CU high angled, ROSELYN sips from her cup.
Shot 53: ECU, SMITH’S lips curl into a slight smile.
Shot 54: CU high angled and canted, ROSELYN begins coughing, softly, then more violently as she stares into the tea cup. She leans forward.
Shot 55: MS POV, ROSELYN’S arm stretches out to shakily place the tea cup back on the table. This area is in focus and once she has put the tea cup down the focus pulls back to SMITH who is casually folding up the newspaper, placing it on the table and picking up his own cup. ROSELYN stays bent over and does not stop coughing.
Shot 56: CU low angled, SMITH begins laughing.
SMITH
You know, Ros, I wasn’t even gonna kill you. I was just gonna take the money and run. But when opportunity knocks, who am I to ignore it, eh?
Shot 57: CU high angled and canting from right tilted to left tilted, ROSELYN whips her head up to glare at SMITH in hatred.
Shot 58: CU high angled SMITH laughs again, leans forward and drinks deep from his tea cup.
Shot 59: ECU SMITH’S throat as he takes a large gulp of the tea.
Shot 60: MS SMITH leaning forward and banging the tea cup down on the table in triumph.
Shot 60: CU of ROSELYN as she still glares at SMITH but immediately stops coughing. Her glare turns into a smile and she leans backward to sit comfortably in her chair.
Shot 61: CU, very high angled and slowly canting, of SMITH.
SMITH
What the f-?
Shot 62: MS two-shot, SMITH falls to the floor on his knees and is coughing uncontrollably.
Shot 63: Worm’s Eye View, SMITH is hunched over the camera (on the floor) and coughs.
Shot 64: Overhead view of SMITH as he falls to the floor on his front and turns over onto his back clutching his chest. From this perspective he is upside down to the camera.
Shot 65: CU ROSELYN appears upside down to the camera and leans forward slightly to look at SMITH.
ROSELYN
For God’s sake, Smith, you shouldn’t gulp down hot drinks. Especially ones laced with rat poison. Now, I know you’re not an idiot and you were right to be suspicious of me. But I’m not an idiot either and I can play you like a puppet, Smith.
Shot 66: CU SMITH is now writhing on the floor but has stopped coughing and is merely spluttering now.
Shot 67: CU low angled, ROSELYN is still leaning forward.
ROSELYN
You honestly think that I would leave a trace of the poison on the cup. I would’ve thought even you would give me more credit than that, Smith. But you rose to the bait. I knew you didn’t know me, didn’t trust me, didn’t... love me.
Shot 68: CU overhead, SMITH.
SMITH
I never... loved you... you psycho bitch.
Shot 69: CU turns to MS as ROSELYN leans back into her seat.
ROSELYN
Well, we all go a little... psycho, sometimes. Haven’t you?
Shot 70: ECU, SMITH’S eyes wide open as he dies. ROSELYN’S HAND comes into view and closes them. (MUSIC: Budd Twang excerpt begins.)
Shot 71: MS, ROSELYN leans over to a vase of roses.
Shot 72: CU of the vase of roses, the roses are in focus to the right of the screen whereas ROSELYN is not in focus. ROSELYN’S hand comes close to the vase and pick one out.
Shot 73: MS of SMITH lying on the floor. ROSELYN’S hand comes into view and lays the rose down on his chest, her new solo calling card.
Shot 74: Overhead table shot, ROSELYN picks up her cup of tea again.
Shot 75: MS, ROSELYN leans back in her chair and brings the cups to her lips.
Shot 76: CU, ROSELYN sips from the cup, savours it, then looks directly in the camera and smiles.