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'Gnossienne No.1' composed by Satie (performed by Myleene Klass)
This piece of music is played over the entire first scene, is entitled 'Gnosienne No. 1' and is composed by Erik Satie and performed by Myleene Klass and the Royal Philharmonic Orchestra. I chose this piece of music because while it is a romantic song (and is classed as one) it also has dark tones about it, therefore personifying Smith and Roselyn's relationship with each other. It plays for the duration of Scene 1 in it's entirety but decreases in volume when the news report is seen and decreases further when Smith turns the news report off.
'Do I Look Pretty?' composed and performed by Robert Rodriguez
This song is the first of two songs that I chose for the film that were composed and performed by Robert Rodriguez for Quentin Tarantino's film Kill Bill Volume 2. While the songs are effective in themselves they also bring with them intertextual referencing for fans of Tarantino's very popular film. If the audience realise the music is borrowed from Kill Bill, a story about a woman's revenge on those who have wronged her, this will give the scene a deeper meaning to them and they will see aspects of The Bride within my character, Ros. This particular piece was also very effective for my film as it starts off quite soft but then becomes hard and sounds almost dangerous, which matches the tone of the scene perfectly, in which Ros is poisoning one of the tea cups.
'Moonlight Sonata' composed by Beethoven (unknown performer)
This piece of music is played over the majority of scene 3, is entitled 'Moonlight Sonata' and is composed by Ludwig van Beethoven but is performed by an unknown performer. I chose this piece of music because, again, much like Satie's piece, it is a romantic song yet it also has dark tones about it, again personifying Smith and Roselyn's relationship with each other. It is also an extremely popular piece of classical music, one I'm hoping my intellectual audience will instantly recognise. And because they have recognised the song, the scene will be more powerful to them.
'Budd Twang' composed and performed by Robert Rodriguez
This song is the second of two songs that I chose for the film that were composed and performed by Robert Rodriguez for Quentin Tarantino's film Kill Bill Volume 2. While the songs are effective in themselves they also bring with them intertextual referencing for fans of Tarantino's very popular film. If the audience realise the music is borrowed from Kill Bill, a story about a woman's revenge on those who have wronged her, this will give the scene a deeper meaning to them and they will see aspects of The Bride within my character, Ros. This particular piece was also effective because it's quite melancholy and shows that even though Ros felt she had to kill him to keep her pride and dignity (not just the money) she is not extremely happy about it, after all she did love the man, he was the one who betrayed her.
'Gnossienne No.1' composed by Satie (performed by Myleene Klass)
This piece of music is played over the entire first scene, is entitled 'Gnosienne No. 1' and is composed by Erik Satie and performed by Myleene Klass and the Royal Philharmonic Orchestra. I chose this piece of music because while it is a romantic song (and is classed as one) it also has dark tones about it, therefore personifying Smith and Roselyn's relationship with each other. It plays for the duration of Scene 1 in it's entirety but decreases in volume when the news report is seen and decreases further when Smith turns the news report off.
'Do I Look Pretty?' composed and performed by Robert Rodriguez
This song is the first of two songs that I chose for the film that were composed and performed by Robert Rodriguez for Quentin Tarantino's film Kill Bill Volume 2. While the songs are effective in themselves they also bring with them intertextual referencing for fans of Tarantino's very popular film. If the audience realise the music is borrowed from Kill Bill, a story about a woman's revenge on those who have wronged her, this will give the scene a deeper meaning to them and they will see aspects of The Bride within my character, Ros. This particular piece was also very effective for my film as it starts off quite soft but then becomes hard and sounds almost dangerous, which matches the tone of the scene perfectly, in which Ros is poisoning one of the tea cups.
'Moonlight Sonata' composed by Beethoven (unknown performer)
This piece of music is played over the majority of scene 3, is entitled 'Moonlight Sonata' and is composed by Ludwig van Beethoven but is performed by an unknown performer. I chose this piece of music because, again, much like Satie's piece, it is a romantic song yet it also has dark tones about it, again personifying Smith and Roselyn's relationship with each other. It is also an extremely popular piece of classical music, one I'm hoping my intellectual audience will instantly recognise. And because they have recognised the song, the scene will be more powerful to them.
'Budd Twang' composed and performed by Robert Rodriguez
This song is the second of two songs that I chose for the film that were composed and performed by Robert Rodriguez for Quentin Tarantino's film Kill Bill Volume 2. While the songs are effective in themselves they also bring with them intertextual referencing for fans of Tarantino's very popular film. If the audience realise the music is borrowed from Kill Bill, a story about a woman's revenge on those who have wronged her, this will give the scene a deeper meaning to them and they will see aspects of The Bride within my character, Ros. This particular piece was also effective because it's quite melancholy and shows that even though Ros felt she had to kill him to keep her pride and dignity (not just the money) she is not extremely happy about it, after all she did love the man, he was the one who betrayed her.